Journal of e-Media Studies, Special Issue: 6.1 (2022)Main MenuRe-Launch of the Journal of e-Media StudiesThe Motion Pictures of the United States Information Agency: Studying a Global Film and Television OperationDesigning Diplomacy: Jack Masey and Multiscreen Cinema at Expo 67The Tentacular Reach of USIA/S in Postwar South KoreaUseful Experimental Cinema: USIA’s Experimental Film Programming and the Film Culture in Taiwan, 1973–1979Media Infrastructure as Smart Power in the Case of the Educational Film, Radio, and Television Center of Turkey, 1949-1973Bringing Order to Chaos: Archival Processing and the USIA Film CollectionResurrecting USIA: A Second Act at the National ArchivesA Time to Play: Giving a Three-Screen Film Its Third ActThe USIS, China, and the Postwar Order: The Film Catalogue as Archive MapOn the Margins of the USIS Archive in South Asia: Histories of Media and PoliticsPreserving CIE Films: The Case of Kiryū City, Gunma Prefecture (Japan)Peter Vaselopulos in Conversation with Hadi Gharabaghi and Bret VukoderNicholas J. Cull in Conversation with Hadi Gharabaghi and Bret VukoderCharles (Chas) W. Freeman in Conversation with Hadi Gharabaghi and Bret VukoderMark Williams7923b5fd9b6c2fa401d4b07056da3d64590b4b12Lauren Spencer76c11959bcfe0e5810c50b96203136d0472cfcb7Hadi P Gharabaghi841cf15e6a944fc4f1ba268d71b1349cd1f80a0eBret Vukoderb760afe88832c71c10a807ecf45bf4b978753feb
Figure 2: R. Buckminster Fuller and Jack Masey with a model of the dome for the 1956 Jeshyn International Fair
1media/Real Figure 2_thumb.jpg2022-04-01T16:41:06+00:00Bret Vukoderb760afe88832c71c10a807ecf45bf4b978753feb24[The Jack Masey Archives, Metaform Design International (Private Collection)]plain2022-04-26T17:34:13+00:00Bret Vukoderb760afe88832c71c10a807ecf45bf4b978753feb