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Journal of e-Media Studies, Volume 7 Issue 1: Early Cinema History (Understanding Visual Culture Through Silent Film Collections)

Volume 7, Issue 1: Early Cinema History (Understanding Visual Culture Through Silent Film Collections)

The Journal of e-Media Studies is a blind peer-reviewed, on-line journal dedicated to the scholarly study of the history and theory of electronic media, especially Television and New Media.  It is an inter-disciplinary journal, with an Editorial Board that is chiefly grounded in the methodologies of the field of Film and Television Studies. We welcome submissions across the fields and methodologies that study media and media history. For other issues, submission guidelines, and more information about the Journal of e-Media Studies, go to the journal's homepage.

Volume 7, Issue 1 (2024)
by Mark Williams and John Bell, assisted by Lauren Spencer and Abigail Murdy

About the Issue

Introduction to Special Issue on Early Cinema History (Understanding Visual Culture Through Silent Film Collections)

by Mark Williams
Download PDF (doi: 10.1349/PS1.1938-6060.A.489)

Early U.S. Cinema Compendium

Contributing institutions include the AFI, Library of Congress, NARA, MoMA, Seaver Center at Natural History Museum in LA, EYE Filmmuseum, Women Film Pioneers Project, Film Preservation Society, and Sherman Grinberg Library, plus Charles Musser, Thomas Gunning, Buckey Grimm, Panpan Yang, Yuqian Yan, Anna Kovalova, and the late Paul Spehr, to whom this Compendium and the associated special issue are dedicated.

Articles

New Windows on the World

by Ian Christie
Download PDF (doi: 10.1349/PS1.1938-6060.A.490)

Early Cinema and the Historiographic Impulse: Scholarly Positionality Then and Now

by Charles Musser
Download PDF (doi: 10.1349/PS1.1938-6060.A.497)

Seeing through the Haverstraw Tunnel

by Dan Streible
Download PDF (doi: 10.1349/PS1.1938-6060.A.500)

Learning to See on the Screen: Exploring Female Performance in Early Film through the Media Ecology Project

by Victoria Duckett
Download PDF (doi: 10.1349/PS1.1938-6060.A.491)

Annotating FloLo: How the Media Ecology Project Fostered Early Cinema Performance Analysis and Collaborative Research

by Jenny Oyallon-Koloski
Download PDF (doi: 10.1349/PS1.1938-6060.A.498)

Action and Acting at Biograph Studio, 1908-1912

by Daria Khitrova and Yuri Tsivian
Download PDF (doi: 10.1349/PS1.1938-6060.A.501)

Silent Era Motion Picture Camera Operators

by Marsha Gordon and Buckey Grimm
Download PDF (doi: 10.1349/PS1.1938-6060.A.493)

Two Ways of Memory: The Signal Corps and CBS World War I Motion Picture Collections at the National Archives

by Bret Vukoder
Download PDF (doi: 10.1349/PS1.1938-6060.A.502)

The Biograph Project

by Tracey Goessel
Download PDF (doi: 10.1349/PS1.1938-6060.A.492)

Silent Films and Augmented Reality

by Matthew Lewis
Download PDF (doi: 10.1349/PS1.1938-6060.A.496)

Daydreams: Cinema of the Russian Empire and Beyond, a Database

by Anna Kovalova
Download PDF (doi: 10.1349/PS1.1938-6060.A.495)

Between Naïveté and Desire: Analyzing Collective Intimacy in Sun Yu’s Films with a Time-based Annotation Tool

by Yuqian Yan
Download PDF (doi: 10.1349/PS1.1938-6060.A.503)

Photographs in Films Starring Ruan Lingyu: Considering Geometric Regions of the Motion Picture Frame

by Panpan Yang
Download PDF (doi: 10.1349/PS1.1938-6060.A.504)

Metadata and the Media Ecology Project

by Shiyang Jiang
Download PDF (doi: 10.1349/PS1.1938-6060.A.494)

Finding One American Beauty: Deyo and Deyo (1897)

by Dan Streible
Download PDF (doi: 10.1349/PS1.1938-6060.A.499)

 

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